THE RULES OF CHESS

Magnus McDowall


I am visibly languid,

taking smokes from a packet

kept snugly by my breast

I play touch-move:

 

I’ve played touch-move since

the game was invented in sixteenth-century

India and people wore scimitars

and couldn’t castle 

I am ever-evolving

I am the timeless opening

I am the inevitable checkmate – 

you should have known that

and now you’ve blundered.

 

Nowadays I play in cafes

occupying what tables I find

with a partner on a

creaking, fidgeting, losing chair.

Two women one table over

are chatting at coffee

and I’m sure they can see

I have rook to b7

 

I am a master-general

but I worry that isn’t obvious – 

 

the threat looks great,

his queen looms over half the board

and he strokes his beard with confidence

 

there are some attacks

even I am powerless to stop.

 

The girls’ talk points our way

I can tell 

by the crane of their necks

and their teeth

that they know

my back’s against the wall

 

it’s my move,

I must come out swinging

so I prance, pout, 

peacock a knight 

across the battlefield –

 

check, a fork,

“a move for the ages!”

cry the newspaper clippings

leering from the wall 

at my hunched opponent

 

the girls are thinking

I am like Nelson,

or Napoleon,

lover of chess,

only taller.

I have demonstrated clearly

 

my mastery of pawn structure

and posture,

the nuances of calculation

and the weaknesses in his position.

 

If I had been at Waterloo,

London would be Londres and

we would all be speaking French.

Magnus McDowall is a student at the University of Edinburgh and is from London. His poems have appeared in The Pittsburgher, HEADACHE, and little living room, among others, and his work can be heard on the spoken-word circuit across London and Edinburgh.